January 27, 2012
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Chris Burden, “747″, 1973, gelatin silver print
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Richard Serra, Terminal detail, 1977
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collage by raoul hausmann, one of the coolest dadaists.
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The Eliminator overloads the eye whenever the red neon flashes on, and in so doing diminishes the viewer’s memory dependencies or traces. Memory...
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Antoni Tapies - Black Relief for the Documenta, 1964
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Adriaan de Lelie, The Art Gallery of Jan Gildemeester.
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Liza Cowan visited the MoMA Library today to look at our new acquisition of Dyke, a quarterly. Cowan and Penny House created the magazine, and...